Felicity’s roller coaster of high distinctions and zeros
killed her status obsessed parents.
She kept their Canberra crash pads.
Youth Off the Streets turned their mansions
into schools for troubled teens.
The funeral attendees
were the who’s who of sycophantic scum;
vultures stalking the wounded wren of publicity,
that’s how they imagined Felicity.
Maximum damage was their motto.
“No Prime Minister,
I won’t be donating to your campaign,”
Felicity’s words echoed off the valley
like a bomb blast.
A series of cartwheels and backflips,
across her sacreligious parents graves,
caught the attention of vampire knaves.
Hideous headlines of stenographer hordes
kicked off the festival of hate.
Felicity scored from the kick off.
Propaganda outlets ignored the siren.
“No comment” the bright eyed mantra weaver repeated,
as reporter tsunamis swept her away.
Sunglasses were her curtains.
Her autobiographical mythbusting blog reached millions
She’d became a tick on the eyeball of tabloid hacks.
Someone’s controversial ANZAC Day views
turned Felicity’s Hawaiian surf into a still pond.
Tube riding sharks forgot she existed.
YouTube viewers became off camera characters
in her therapeutic plays.
She caresses their ears with sweet mantras,
as her double belly dances
and her triple plays the flute.
Four blends herbs and spices
as passionately as Van Gogh mixed his palette.
Five and six are synchronized swimmers
in a Utopian sandstone pool.
Seven and eight are tailored suit clad heavies,
patrolling the perimeter.
The man behind the pool cue is you.
Sink the black and number eight
will fulfil your need
to knead her athletic flesh.
Last week Felicity played Himalayan singing bowls
in a crystal cave.
Tomorrow she’s a hypnotist in the Garden of Eden,
sharing tree of knowledge pie.
Then she’s Hitler’s assasin
posing as a burlesque comedian.
Felicity’s guitar chords are the umbilical cords,
connecting her fans
to their spiritual space stations.