Art Museum Statue

If I wasn’t stone my back hair would be fleece to lease
but foul, feral fleas are hard to please with granite follicles.
I’m older than the oceans.
For eons I was rock, lava and magma.
I recently became a statue, of a morbidly obese man,
suspended above a barbecue throne, in imitation of levitation.
Touring the world’s premier art galleries
is better than being banished to a storeroom prison,
without a lawyer or a trial.
People watching is my main interest.
If I weren’t frozen in stone it would be easy to smile.
Opposite me is an Arctic oil,
as life like as a voyage on an ice breaker.
To my left is the glow from the window of a 3 a.m poet.

I’m not as content as I was before a descendant of Michel Angelo
released me from the mountainside.
I was happy as an amalgam of crystals on that blizzard swept slope,
but curious about the dying world of the parasitic, bald apes.

My sculptor, Quincy Macquarie, has no faith in quarrymen,
It took seventeen Sherpa’s to wheel my finished form
down ten miles of precipice bordered goat trails.
I was loaded by the mother of all forklifts
on to a second hand Black Hawk helicopter.

This is my ninety ninth gallery.
I’ve had stints in the Louvre, Hollywood sets,
the National Museum of Korea
and Kim Jong-Un’s palatial bedroom; aren’t I glad that’s over.
I currently reside in the penthouse level of birthday world,
an art amusement park.
The graffiti roller coaster looks set to grow beyond the walls
of this towering monument to the ridiculous.

There are peepholes in my skull.
A schoolkid is gawking at my pseudo cerebellum right now.
My brain is a solution of honey and water, in wrinkly, grey plastic.
I need it like relaxation therapy needs Death Metal.
My thinking apparatus is purely subatomic.

Wow, someone dedicated a hectare of wall space
to a photograph of a jumper knitted by an Alzheimers victim.
It’s as shoddy as the web of an acid tripping orb weaver
and as boring as an entire continent reduced to a salt pan.
Thankfully, time is relative to the speed of perception.
I fast forward mistakes and reserve slow motion
for the likes of Marilyn Monroe.
During my Hollywood era I was her telepathic shrink.
Assuming I’m as innocent as a teddy bear
she practised the subway grate scene
in front of me countless times.
I can assure you she wasn’t wearing lace edged virginal white.

New York’s Metropolitan Museum of Art awaits me.
Eventually I’d like to combine my interests
in hang gliding, volcanoes and euthanasia.
When I was a little pebble,
I wondered what was all the hullabaloo about youth in Asia.
I look forward to Armageddon.
Live volcanoes will be plentiful then.

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