Is the lady opposite me mute?
In search of a reaction
I compose a tribute to the sunrise.
Trickles of molten gold caress vapor canyons!
Dioxin devastated water ways
cannot banish the suns sanguine art.
Fiery mist overwhelms factory haze
as it climbs to a pale blue pinnacle.
I finally notice her pale blue pallor.
How did I not realize she was dead?
I blame it on her sunglasses
and the zombie like expressions
of living, breathing commuters,
hypnotized by their computers.
They’re perfect camouflage for a corpse.
In shock I exit the station and climb a wattle
and weeping Meadow Grass knitted embankment,
to the porthole in your back fence.
Your house is as hidden as a serial killer’s conscience.
The slow jujitsu of vines is divine.
They’re racing to slaughter the mortar.
The party is in its embryonic stages.
I stash soft drink in an Antarctic wading pool
until its embossed in frost.
Someone puts a cigar plant to my lips.
I’ve been told Cuphea’s less psychotropic
than an electron microscope is telescopic,
yet it seems I’ve caught a logic disease;
concertos are encoded in the breeze.
Is this the Mount Pinatubo of placebos?
Too many inquisitive psychiatrists at this party,
time to leave.
Stretchy gnomes, twining around Corymbias,
smirk at peach flavoured watermelons
parachuting to power lines.
They’ve been jettisoned from the mother ship
of intergalactic fruiterers.
Longer houses and the narrowing of the road
create the illusion the street is stretching.
The moon has left its orbit to ogle me.
Fireworks stream from my fingertips
to paint landscapes on the lunar surface.
I have no memory of my journey
to a festival somewhere in Bankstown.
After mulching through dubious fast food
I’m not in a lively mood.
The new lump on my neck is oddly geometrical.
Vague memories of extra-terrestrials,
testing hair products on me, return.
Possibly the shock of the dead woman on the train
is wreaking havoc with my otherwise healthy brain.
In a dilapidated culdesac,
Lebanese thespians douse the audience
in Jiddo and Jadda nostalgia.
Dimly lit laneways, feature iridescent pole dancers
decorating disused traffic lights.
On a treehouse veranda,
in the yard of a gargoyle collector,
the only band to combine a qunoon
with a shamisen and a didgeridoo
features a singer whose different too.
The journey back to your party,
via a boot with bullet holes for air holes,
is in keeping with my unorthodoxy goals.
I’d always wondered why Vincenzo’s
car cost only five hundred dollars.
My second entrance into the vine reclaimed house
is via candlelight.
Someone drove away with the solar panel trailer
but there’s no shortage of amplifier batteries
for the guitar solo equivalent
of pitch black roller coaster rides
through crumbling mountain sides.
One moment I was listening to drum beats
chasing stars from their lofty mantles,
then I awoke at midday
sprawled across a chest of drawers,
in drag and a sumo suit.
I’d hate to think what might’ve happened
if I’d been drinking.